{"id":489,"date":"2017-11-24T06:33:33","date_gmt":"2017-11-24T05:33:33","guid":{"rendered":"http:\/\/acthiv.fr\/journaldebord\/?p=489"},"modified":"2017-11-29T12:16:48","modified_gmt":"2017-11-29T11:16:48","slug":"melting-pot-trio","status":"publish","type":"post","link":"https:\/\/acthiv.fr\/journaldebord\/?p=489","title":{"rendered":"R\u00e9cital d&rsquo;une accord\u00e9oniste japonaise \u00e0 Paris"},"content":{"rendered":"<p><center><img decoding=\"async\" src=\"http:\/\/acthiv.fr\/servicesupport\/pictures\/diony-ito.jpg\" \/><br \/><span style=\"font-size:8pt;\" >Sylvain Diony et Hiroko Ito<\/span><\/center><\/p>\n<p><span style=\"font-size: 12pt;\"><b>Hiroko Ito<\/b><\/span><\/p>\n<p>Au Japon o\u00f9 elle est n\u00e9e, elle commence le piano \u00e0 4 ans, l&rsquo;accord\u00e9on (chromatique) \u00e0 7.<br \/>\n<center><img decoding=\"async\" src=\"http:\/\/acthiv.fr\/servicesupport\/pictures\/fleurjaune-red.jpg\" \/><\/center><br \/>\nSon professeur Yasuhiro Kobayashi (Coba sur la sc\u00e8ne internationale) la fait assister \u00e0 10 ans \u00e0 un concert de Marcel Azzolla.<br \/>\nCela scelle sa destin\u00e9e.<br \/>\nA sa majorit\u00e9, elle prend l&rsquo;avion pour Paris et, s&rsquo;appuyant sur l&rsquo;Acad\u00e9mie du faubourg Saint Martin, y fait carri\u00e8re. <\/p>\n<p><span style=\"font-size: 12pt;\"><b>Ghyslin Di Sacco<\/b><\/span><\/p>\n<p>Ghyslin Di Sacco est clarinettiste. C&rsquo;est au CRR de Versailles qu&rsquo;il rencontre son \u00e9pouse Hiromi Fukushima clarinettiste elle-m\u00eame, avec laquelle il est venu nous pr\u00e9senter un quatuor avec piano.<br \/>\n<center><img decoding=\"async\" src=\"http:\/\/acthiv.fr\/servicesupport\/pictures\/gds-cb-red.jpg\" \/><\/center><\/p>\n<p>Il accompagnait \u00e9galement la mezzo  Malika Bellaribi.<br \/>\nIl sert \u00e0 Paris dans la musique de la Garde.<br \/>\nIl joue aussi du jazz et du saxo mais il est  malgr\u00e9 tout la composante la plus classique du m\u00e9lange Melting Pot.<\/p>\n<p><span style=\"font-size: 12pt;\"><b>Sylvain Diony<\/b><\/span><\/p>\n<p>Sylvain Diony est un guitariste classique form\u00e9 au style espagnol.<br \/>\nEn Dordogne, il a pr\u00e9sent\u00e9 avec Ghyslin un duo de chor\u00f5es br\u00e9siliens et de musique latino-cara\u00efbe.<br \/>\n<center><img decoding=\"async\" src=\"http:\/\/acthiv.fr\/servicesupport\/pictures\/diony-clair-red.jpg\" \/><\/center><br \/>\nA l&rsquo;occasion des tourn\u00e9es du trio au Japon o\u00f9 Hiroko Ito revient r\u00e9guli\u00e8rement, il s&rsquo;est mis au <i>shamisen<\/i>, le luth traditionnel \u00e0 trois cordes &#8230;et a pass\u00e9 les degr\u00e9s correspondants.<br \/>\nIl est absolument la composante la plus \u00e9clectique du m\u00e9lange.<\/p>\n<p>Le trio interpr\u00e8tera les cr\u00e9ations de Hiroko, qui puisent leurs sources dans la musique festive japonaise comme dans la pop-rock, des \u0153uvres et des arrangements d&rsquo;accord\u00e9onistes fran\u00e7ais actuels et des compositions d&rsquo;interpr\u00e8tes japonais, moins connus peut-\u00eatre du moins en France, mais non moins remarquables.<\/p>\n<p>D&rsquo;o\u00f9 l&rsquo;originalit\u00e9 et l&rsquo;int\u00e9r\u00eat tout sp\u00e9cial du concert. Et d&rsquo;o\u00f9 aussi le nom <i>Melting Pot<\/i>. Fusion.<\/p>\n<p><center><img decoding=\"async\" src=\"http:\/\/acthiv.fr\/servicesupport\/pictures\/letrio-red.jpg\" \/><\/center><\/p>\n<p><span style=\"font-size: 8pt;\"><b>Dimanche 3 d\u00e9cembre 15 heures<\/b><br \/>\nsalle du cin\u00e9ma Le Clair, 4 avenue du G\u00e9n\u00e9ral Leclerc<br \/>\nMelting Pot trio<br \/>\nune japonaise \u00e0 Paris<br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sylvain Diony et Hiroko Ito Hiroko Ito Au Japon o\u00f9 elle est n\u00e9e, elle commence le piano \u00e0 4 ans, l&rsquo;accord\u00e9on (chromatique) \u00e0 7. Son professeur Yasuhiro Kobayashi (Coba sur la sc\u00e8ne internationale) la fait assister \u00e0 10 ans \u00e0 un concert de Marcel Azzolla. Cela scelle sa destin\u00e9e. A sa majorit\u00e9, elle prend l&rsquo;avion &hellip; <a href=\"https:\/\/acthiv.fr\/journaldebord\/?p=489\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">R\u00e9cital d&rsquo;une accord\u00e9oniste japonaise \u00e0 Paris<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,23,16],"tags":[],"class_list":["post-489","post","type-post","status-publish","format-standard","hentry","category-concert","category-nouvel-accordeon","category-salle-du-le-clair"],"_links":{"self":[{"href":"https:\/\/acthiv.fr\/journaldebord\/index.php?rest_route=\/wp\/v2\/posts\/489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acthiv.fr\/journaldebord\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acthiv.fr\/journaldebord\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acthiv.fr\/journaldebord\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/acthiv.fr\/journaldebord\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=489"}],"version-history":[{"count":27,"href":"https:\/\/acthiv.fr\/journaldebord\/index.php?rest_route=\/wp\/v2\/posts\/489\/revisions"}],"predecessor-version":[{"id":521,"href":"https:\/\/acthiv.fr\/journaldebord\/index.php?rest_route=\/wp\/v2\/posts\/489\/revisions\/521"}],"wp:attachment":[{"href":"https:\/\/acthiv.fr\/journaldebord\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acthiv.fr\/journaldebord\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acthiv.fr\/journaldebord\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}